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The Good, the Bad and the Ugly 1966

The Good, the Bad and the Ugly 1966

For three men the Civil War wasn't hell. It was practice.Dec. 23, 1966 161 Min.
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Sergio Leone


Lee Van Cleef isSentenza/Angel Eyes
Sentenza/Angel Eyes
Aldo Giuffrè isAlcoholic Union Captain
Alcoholic Union Captain
Luigi Pistilli isFather Pablo Ramirez
Father Pablo Ramirez
Antonio Casale isJackson/Bill Carson
Jackson/Bill Carson


While the Civil War rages between the Union and the Confederacy, three men – a quiet loner, a ruthless hit man and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.

The film that cemented Clint Eastwood’s status as “The Man with No Name,” The Good, the Bad and the Ugly stands as one of the most influential Westerns of all time, and more importantly as one of the most striking examples ever of how cinema can create a living myth out of pure visual spectacle. Eli Wallach (the “ugly,” absolutely), Lee Van Cleef (the “bad,” undoubtedly), and Eastwood (the “good,” barely) criss-cross the arid Texas plains while double-crossing one another as they search for a fortune in stolen Confederate gold. It’s not the story that one remembers, however, but how it’s told—or painted, as the film’s innovative opening credits suggest. Like a brush on canvas, Leone’s lens colors desolation with beauty, juxtaposing close-ups of scarred faces with long-distance shots of sky-stretched panoramas to create a disorienting, almost hyper-real landscape, one aurally haunted by Ennio Morricone’s now legendary score. Here, the American hunt for gold winds up—literally—in the grave.

Original titleIl buono, il brutto, il cattivo
TMDb Rating8.1 1983 votes

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